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Assault on the control room
Assault on the control room








assault on the control room

The ability to mix and render in stereo sound is great, but the tone and mix are just missing some minor adjustments that could've brought out some real shine for these guys. The mids took over and ended up bottoming out.

assault on the control room

On PC headphones I thought it would help the sound. Keep at it guys, there is still something seriously potential going on. The melodic stuff was just so good and the thrash stuff was so monotonous and is about 20 years too late. It's thrash minus a lot of speed, although there is some, there is not as much as you'd expect. If every song on " Assault on the Control Room" was prepared, delivered, and mixed like this the album would be a surefire success. This is the most melodic offering on the album and it's honestly the bands strongest effort. The whispered snarls of spoken word creep as it should. There is some great structure and the acoustic parts are softly haunting and when the electric joins in the mix its blended great. Ya know the one track that is your passion. Referencing the main riff from " Call of Ktulu" ( METALLICA) the song begins with what seems like possibly the guitarists baby. "In the Heart of Illusion" the quality was ok, I loved the direction. Then there are others that seem sloppy and thrown together. There are moments where everything sounds well thought out and very deliberate. I agree I am hearing some cool things and some not so cool things that could easily be corrected by practicing. I saw the reviews for the debut, and most stated ULTIMATE HOLOCAUST has potential. The lead during the song was an obvious punch in as the volume changed drastically and it just stuck out like a bad overdub. It did add a dynamic that kinda made it available to go whatever way you wanted to take it. " Trapped In Quicksand" gets a little more impressive with the guitar riff that doesn't require double bass triplets, but hey ok. That about sums up the first track, " Man Vs. Plenty of one-note riffs holding off straight power chords and the drums keep time and never really accent on their own. Close to KREATOR era " Please to Kill." Musically, sometimes similar to old EXODUS. The vocalist does have an interesting tone. it's full of old-school thrash riffs and audio production to match. Formed in 2010 and releasing their debut " Blackmail the Nation" in 2015. " Assault on the Control Room" is the 2nd album from Italian thrash metal band ULTIMATE HOLOCAUST just released in May of 2018.










Assault on the control room